feat: 导出 SproutClaw .sproutclaw 配置
包含 extensions、skills、prompts、settings、auth、models、mcp 等配置。 排除 node_modules、npm 缓存、sessions 等运行时数据。
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# pritzker_2026_test_20260516
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- Canvas format: ppt169
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- Created: 20260516
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## Directories
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- `svg_output/`: raw SVG output
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- `svg_final/`: finalized SVG output
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- `images/`: presentation assets
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- `notes/`: speaker notes
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- `templates/`: project templates
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- `sources/`: source materials and normalized markdown
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- `exports/`: main native pptx (timestamped); `_svg.pptx` sibling added when exported with `--svg-snapshot`
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- `backup/<timestamp>/`: svg_output/ archive (always written in default-flow mode; safe to delete old timestamps)
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{
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"version": 1,
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"defaults": {
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"transition": { "effect": "fade", "duration": 0.5 },
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"animation": { "effect": "fade", "duration": 0.6, "stagger": 0.2, "trigger": "after-previous" }
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},
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"slides": {
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"01_cover": {
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"transition": { "effect": "fade", "duration": 0.8 },
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"groups": {
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"bg-image": { "effect": "none" },
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"cover-eyebrow": { "effect": "fade", "order": 1, "duration": 0.5, "delay": 0.3 },
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"cover-title": { "effect": "fade", "order": 2, "duration": 0.9, "delay": 0.4 },
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"cover-subtitle":{ "effect": "wipe", "order": 3, "duration": 0.7, "delay": 0.3 },
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"cover-footer": { "effect": "none" }
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}
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},
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"02_overview": {
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"transition": { "effect": "push", "duration": 0.5 },
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"animation": { "effect": "fade", "duration": 0.4, "stagger": 0.12 },
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"groups": {
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"bg": { "effect": "none" },
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"header": { "effect": "none" },
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"card-01":{ "effect": "fade", "order": 1, "duration": 0.45 },
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"card-02":{ "effect": "fade", "order": 2, "duration": 0.45 },
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"card-03":{ "effect": "fade", "order": 3, "duration": 0.45 },
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"card-04":{ "effect": "fade", "order": 4, "duration": 0.45 },
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"card-05":{ "effect": "fade", "order": 5, "duration": 0.45 },
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"card-06":{ "effect": "fade", "order": 6, "duration": 0.45 },
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"card-07":{ "effect": "fade", "order": 7, "duration": 0.45 },
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"card-08":{ "effect": "fade", "order": 8, "duration": 0.45 },
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"footer": { "effect": "none" }
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}
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},
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"03_ando": {
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"transition": { "effect": "push", "duration": 0.5 },
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"groups": {
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"bg-image": { "effect": "none" },
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"p03-header": { "effect": "none" },
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"p03-title": { "effect": "fade", "order": 1, "duration": 0.7, "delay": 0.2 },
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"card-concept": { "effect": "fade", "order": 2, "duration": 0.6, "delay": 0.25 },
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"card-philosophy": { "effect": "fade", "order": 3, "duration": 0.6, "delay": 0.25 },
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"thumb-interior": { "effect": "fade", "order": 4, "duration": 0.5, "delay": 0.2 },
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"footer": { "effect": "none" }
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}
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},
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"04_chipperfield": {
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"transition": { "effect": "fade", "duration": 0.5 },
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"groups": {
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"bg": { "effect": "none" },
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"p04-header": { "effect": "none" },
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"img-amphitheater": { "effect": "fade", "order": 1, "duration": 0.6, "delay": 0.2 },
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"connector": { "effect": "fade", "order": 2, "duration": 0.5, "delay": 0.3 },
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"img-milan": { "effect": "fade", "order": 3, "duration": 0.6, "delay": 0.15 },
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"card-spec": { "effect": "fade", "order": 4, "duration": 0.45, "delay": 0.25 },
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"card-facade": { "effect": "fade", "order": 5, "duration": 0.45, "delay": 0.12 },
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"card-quote": { "effect": "wipe", "order": 6, "duration": 0.6, "delay": 0.2 },
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"footer": { "effect": "none" }
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}
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},
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"05_zaha": {
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"transition": { "effect": "push", "duration": 0.6 },
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"groups": {
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"bg": { "effect": "none" },
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"img-bridge": { "effect": "fade", "order": 1, "duration": 0.8, "delay": 0.2 },
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"img-structure": { "effect": "fade", "order": 2, "duration": 0.7, "delay": 0.4 },
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"img-fullview": { "effect": "fade", "order": 3, "duration": 0.7, "delay": 0.4 },
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"text-band": { "effect": "fade", "order": 4, "duration": 0.7, "delay": 0.45 },
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"stat-block": { "effect": "wipe", "order": 5, "duration": 0.7, "delay": 0.3 },
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"footer": { "effect": "none" }
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}
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},
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"06_foster": {
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"transition": { "effect": "fade", "duration": 0.6 },
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"groups": {
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"bg": { "effect": "none" },
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"bg-faded": { "effect": "none" },
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"p06-number": { "effect": "fade", "order": 1, "duration": 1.0, "delay": 0.3 },
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"p06-title": { "effect": "fade", "order": 2, "duration": 0.7, "delay": 0.3 },
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"thumb-petal": { "effect": "fade", "order": 3, "duration": 0.6, "delay": 0.25 },
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"manifesto": { "effect": "wipe", "order": 4, "duration": 0.7, "delay": 0.3 },
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"footer": { "effect": "none" }
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}
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},
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"07_oma_sanaa": {
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"transition": { "effect": "fade", "duration": 0.5 },
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"groups": {
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"bg": { "effect": "none" },
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"p07-header": { "effect": "none" },
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"img-before": { "effect": "fade", "order": 1, "duration": 0.55, "delay": 0.2 },
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"img-after": { "effect": "fade", "order": 2, "duration": 0.55, "delay": 0.25 },
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"kpi-stack": { "effect": "fade", "order": 3, "duration": 0.6, "delay": 0.3 },
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"img-massing": { "effect": "wipe", "order": 4, "duration": 0.7, "delay": 0.25 },
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"manifesto-tail": { "effect": "fade", "order": 5, "duration": 0.5, "delay": 0.2 },
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"footer": { "effect": "none" }
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}
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},
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"08_zumthor": {
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"transition": { "effect": "push", "duration": 0.6 },
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"groups": {
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"bg": { "effect": "none" },
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"p08-top": { "effect": "fade", "order": 1, "duration": 0.7, "delay": 0.2 },
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"banner": { "effect": "wipe", "order": 2, "duration": 0.9, "delay": 0.3 },
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"bottom-stats": { "effect": "fade", "order": 3, "duration": 0.6, "delay": 0.3 },
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"quote-block": { "effect": "fade", "order": 4, "duration": 0.7, "delay": 0.3 },
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"footer": { "effect": "none" }
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}
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},
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"09_gehry": {
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"transition": { "effect": "fade", "duration": 0.6 },
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"groups": {
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"bg": { "effect": "none" },
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"p09-header": { "effect": "none" },
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"frame-1": { "effect": "fade", "order": 1, "duration": 0.7, "delay": 0.2 },
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"frame-2": { "effect": "fade", "order": 2, "duration": 0.55, "delay": 0.2 },
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"frame-3": { "effect": "fade", "order": 3, "duration": 0.55, "delay": 0.15 },
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"manifesto": { "effect": "wipe", "order": 4, "duration": 0.7, "delay": 0.3 },
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"footer": { "effect": "none" }
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}
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},
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"10_kere": {
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"transition": { "effect": "push", "duration": 0.5 },
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"groups": {
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"bg-image": { "effect": "none" },
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"p10-header": { "effect": "none" },
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"card-philosophy": { "effect": "fade", "order": 1, "duration": 0.6, "delay": 0.25 },
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"card-courtyard": { "effect": "fade", "order": 2, "duration": 0.55, "delay": 0.2 },
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"card-interior": { "effect": "fade", "order": 3, "duration": 0.55, "delay": 0.2 },
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"footer": { "effect": "none" }
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}
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},
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"11_epilogue": {
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"transition": { "effect": "fade", "duration": 0.8 },
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"groups": {
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"bg": { "effect": "none" },
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"decor-corner": { "effect": "none" },
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"eyebrow": { "effect": "fade", "order": 1, "duration": 0.6, "delay": 0.3 },
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"hero-quote": { "effect": "fade", "order": 2, "duration": 1.0, "delay": 0.4 },
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"three-paths": { "effect": "fade", "order": 3, "duration": 0.8, "delay": 0.45 },
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"closing": { "effect": "fade", "order": 4, "duration": 0.7, "delay": 0.4 },
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"footer": { "effect": "none" }
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}
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}
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}
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}
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# pritzker_2026_test_20260516 - Design Spec
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## I. Project Information
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| Item | Value |
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| ---- | ----- |
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| **Project Name** | pritzker_2026_test_20260516 |
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| **Canvas Format** | PPT 16:9 (1280×720) |
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| **Page Count** | 11 |
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| **Design Style** | A) General Versatile + 编辑设计 / 杂志感 / 建筑摄影主导 |
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| **Target Audience** | 建筑/设计爱好者、设计行业从业者、文化媒体读者 |
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| **Use Case** | 行业分享、设计课堂、自媒体长图、读书会演讲 |
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| **Created Date** | 2026-05-16 |
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---
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## II. Canvas Specification
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| Property | Value |
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| -------- | ----- |
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| **Format** | PPT 16:9 |
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| **Dimensions** | 1280×720 |
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| **viewBox** | `0 0 1280 720` |
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| **Margins** | 左右 60px / 上下 50px |
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| **Content Area** | 1160×620 |
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---
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## III. Visual Theme
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### Theme Style
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- **Style**: 编辑杂志感 + 建筑摄影主导
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- **Theme**: Light theme
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- **Tone**: 克制、克难、克重——大图说话，文字点题；混凝土质感的米白底色 + 墨黑文字 + 暖金强调
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### Color Scheme
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| Role | HEX | Purpose |
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| ---- | --- | ------- |
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| **Background** | `#F5F2EC` | 米白宣纸底（主背景） |
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| **Secondary bg** | `#EDE8DE` | 卡片/侧栏 |
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| **Primary** | `#1C1C1C` | 标题、正文 |
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| **Accent** | `#B8935A` | 编号、分隔线、强调 |
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| **Body text** | `#1C1C1C` | 正文主色 |
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| **Secondary text** | `#5C5852` | 副文、图注 |
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| **Tertiary text** | `#8B8680` | 混凝土灰，页脚、辅助 |
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| **Border/divider** | `#D4CFC4` | 分隔线 |
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---
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## IV. Typography System
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### Font Plan
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**Typography direction**: editorial CJK — 西文衬线 × 中文黑体，杂志专栏感
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| Role | Chinese | English | Fallback tail |
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| ---- | ------- | ------- | ------------- |
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| **Title** | `"Microsoft YaHei", "PingFang SC"` | `Georgia` | `serif` |
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| **Body** | `"Microsoft YaHei", "PingFang SC"` | `Arial` | `sans-serif` |
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| **Emphasis** | `KaiTi` | `Georgia` | `serif` |
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| **Code** | — | `Consolas, "Courier New"` | `monospace` |
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**Per-role font stacks**:
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- Title: `Georgia, "Microsoft YaHei", "PingFang SC", serif`
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- Body: `"Microsoft YaHei", "PingFang SC", Arial, sans-serif`
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- Emphasis: `KaiTi, Georgia, "Microsoft YaHei", serif`
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- Code: `Consolas, "Courier New", monospace`
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### Font Size Hierarchy
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**Baseline**: Body = 22px (中等密度)
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| Purpose | Ratio | Project value | Weight |
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| ------- | ----- | ------------- | ------ |
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| Cover title | 3.3x | 72px | Bold |
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| Chapter / section opener | 2.2x | 48px | Bold |
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| Page title | 1.6-1.8x | 36-40px | Bold |
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| Project number (01-08 大编号) | 4x | 88px | Light Italic (Georgia) |
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| Subtitle | 1.3x | 28px | SemiBold |
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| **Body** | **1x** | **22px** | Regular |
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| Annotation / caption | 0.7x | 15px | Regular |
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| Page number / footnote | 0.55x | 12px | Regular |
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---
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## V. Layout Principles
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### Page Structure
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- **Header area**: 50-100px（编号 + 章节锚标）
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- **Content area**: ~520px（图文主体）
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- **Footer area**: 30-40px（页码、来源、品牌锚）
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### Layout Pattern Library
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不预设主导 pattern。每页按内容性格挑节奏（详见 §VIII 表中 `Layout pattern` 列），原则：
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1. 相邻两页不重复 pattern
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2. 同一 pattern 全 deck 不超过 2 次
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3. 图比例驱动方向（横图优先 hero/上下带，方图优先并置，竖图优先左右带）
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4. 同主题多图合并到一页（多图组合）而非拆页
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### Spacing Specification
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**Universal**:
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| Element | Range | Project |
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| ------- | ----- | ------- |
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| Safe margin | 40-60px | 60px |
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| Content block gap | 24-40px | 32px |
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| Icon-text gap | 8-16px | 12px |
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**Non-card containers** (大量 breathing/hero 页):
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- 行高 1.5×
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- 全幅大图采用 `xMidYMid slice`；hero 文字浮层有 35-55% 半透明黑底 scrim
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- 不强求等宽栏；文字宽度按可读性（每行 24-32 汉字）
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---
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## VI. Icon Usage Specification
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### Source
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- **Built-in icon library**: `tabler-outline`（描边 1.5px）
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- 仅用于章节编号点缀、地理标识、年份徽章；不强加于每页
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### Recommended Icon List
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| Purpose | Icon Path | Page |
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| ------- | --------- | ---- |
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| 地点定位 | `tabler-outline/map-pin` | P03-P10（每页右上） |
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| 时间/年份 | `tabler-outline/calendar` | P02（总览） |
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| 建筑师章 | `tabler-outline/blockquote` | P11（结语） |
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| 翻页指示 | `tabler-outline/arrow-right` | P02 |
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---
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## VII. Visualization Reference List
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无数据可视化页。本 deck 完全图文叙事驱动，无图表。
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---
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## VIII. Image Resource List
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> Layout pattern 全部 verbatim from `references/image-layout-patterns.md`。覆盖 Group A / C / D / E 至少 4 组；同组内 id 轮换；相邻页不重复。
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| Filename | Dimensions | Ratio | Purpose | Type | Layout pattern | Acquire Via | Status | Reference |
|
||||
| -------- | --------- | ----- | ------- | ---- | -------------- | ----------- | ------ | --------- |
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| ando_h_rooftop.png | 685×514 | 1.33 | P01 封面背景（混凝土水景） | Photography | #1 full-bleed background with floating title | user | Existing | 安藤忠雄 H+ 美术馆屋顶水景 |
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| ando_h_exterior.png | 1080×810 | 1.33 | P03 安藤代表作主图 | Photography | #41 background image with native callout cards floating over | user | Existing | H+ 美术馆临河外观 |
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| ando_h_interior.png | 667×937 | 0.71 | P03 安藤副图（竖图） | Photography | (同上多图组合) | user | Existing | H+ 美术馆室内空间 |
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| chipperfield_milan_exterior.png | 1080×810 | 1.33 | P04 奇普菲尔德主图 | Photography | #48 side-by-side comparison (古罗马 vs 当代) | user | Existing | 米兰冰球馆外观 |
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| chipperfield_roman_amphitheater.png | 800×533 | 1.50 | P04 古罗马参照 | Photography | (与主图并置) | user | Existing | 古罗马圆形剧场 |
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| chipperfield_milan_facade.png | 1024×1365 | 0.75 | P04 立面细节（竖图） | Photography | (副图条带) | user | Existing | 场馆立面金属环带 |
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| zaha_tamkang_bridge.png | 960×640 | 1.50 | P05 扎哈大桥主视觉 | Photography | #15 multi-image montage with bold text spanning across | user | Existing | 淡江大桥流线姿态 |
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||||
| zaha_tamkang_structure.png | 960×640 | 1.50 | P05 大桥结构 | Photography | (蒙太奇成员) | user | Existing | 大桥单塔斜拉结构 |
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||||
| zaha_tamkang_full.png | 831×554 | 1.50 | P05 大桥远景 | Photography | (蒙太奇成员) | user | Existing | 大桥跨江全景 |
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||||
| foster_shanghai_exterior.png | 1080×652 | 1.66 | P06 福斯特大图 | Photography | #12 faded image as backdrop with oversized overlay text | user | Existing | 上海嘉艺术外观全景 |
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||||
| foster_shanghai_petal.png | 1080×1368 | 0.79 | P06 花瓣细节 | Photography | (浮层旁置小图框) | user | Existing | 花瓣立面细节 |
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||||
| oma_new_museum_before.png | 1080×809 | 1.33 | P07 OMA 扩建前后 (前) | Photography | #50 before/after slider-style side-by-side | user | Existing | 纽约新美术馆扩建前 |
|
||||
| oma_new_museum_after.png | 1080×921 | 1.17 | P07 OMA 扩建前后 (后) | Photography | (#50 配对) | user | Existing | 纽约新美术馆扩建后 |
|
||||
| oma_new_museum_massing.png | 1080×608 | 1.78 | P07 体块模型条带 | Photography | (#50 下方副条) | user | Existing | OMA 体块模型 |
|
||||
| oma_new_museum_interior.png | 1080×896 | 1.21 | P07 室内（备用） | Photography | (内嵌副图框) | user | Existing | 美术馆内部 |
|
||||
| zumthor_lacma_exterior.png | 1080×608 | 1.78 | P08 卒姆托主图 | Photography | #14 horizontal banner strip cutting through mid-section | user | Existing | LACMA 大卫·格芬画廊横幅 |
|
||||
| zumthor_lacma_underside.png | 1080×720 | 1.50 | P08 底部公共空间 | Photography | (mid-section 横条之下副图) | user | Existing | 悬浮架空底部空间 |
|
||||
| zumthor_lacma_interior.png | 1080×608 | 1.78 | P08 内部（备用） | Photography | (右上小景) | user | Existing | LACMA 室内 |
|
||||
| gehry_abu_dhabi_render1.png | 1080×608 | 1.78 | P09 盖里渲染主图 | Photography | #19 image floating in whitespace with thin frame and caption | user | Existing | 阿布扎比古根海姆主渲染 |
|
||||
| gehry_abu_dhabi_render2.png | 1080×607 | 1.78 | P09 渲染辅图 | Photography | (#19 第二浮层框) | user | Existing | 第二角度渲染 |
|
||||
| gehry_abu_dhabi_render3.png | 1000×1000 | 1.00 | P09 方图辅 | Photography | (#19 第三浮层) | user | Existing | 鸟瞰渲染 |
|
||||
| kere_senegal_exterior.png | 818×546 | 1.50 | P10 凯雷主图（土砖外观） | Photography | #38 background image + annotation cards | user | Existing | 塞内加尔歌德学院外观 |
|
||||
| kere_senegal_courtyard.png | 630×944 | 0.67 | P10 院落（竖图） | Photography | (annotation 中嵌入小图) | user | Existing | 猴面包树核心院落 |
|
||||
| kere_senegal_interior.png | 980×654 | 1.50 | P10 内部 | Photography | (annotation 中嵌入小图) | user | Existing | 学院内部空间 |
|
||||
|
||||
**Layout pattern 覆盖审计**:
|
||||
- Group A (容器): #1 cover, #12 faded backdrop, #14 mid-section banner, #15 montage with text → 4 patterns
|
||||
- Group C (overlay): #19 floating frame → 1 pattern
|
||||
- Group D (image-as-canvas): #38 background + cards, #41 background + callouts → **2 patterns，满足 Group D 覆盖硬约束**
|
||||
- Group E (multi-image): #48 side-by-side, #50 before/after → 2 patterns
|
||||
- 共 9 个不同 pattern 跨 4 组，无任何 pattern 使用 >2 次，相邻页无重复
|
||||
|
||||
---
|
||||
|
||||
## IX. Content Outline
|
||||
|
||||
### Part 1: 开篇
|
||||
|
||||
#### Slide 01 - 封面
|
||||
|
||||
- **Layout**: #1 Full-bleed background + floating title（混凝土水景为视觉锚）
|
||||
- **Title**: 2026 普利兹克奖大师季
|
||||
- **Subtitle**: 8 座新作，8 种深耕
|
||||
- **Info**: 从苏州河畔到沙漠腹地·读懂顶级建筑师的思考与坚守 / 来源：公众号孙琬童 / 2026
|
||||
|
||||
#### Slide 02 - 8 位大师总览
|
||||
|
||||
- **Layout**: Negative-space-driven + 8 卡（4×2 方阵），每卡只放编号 + 大师名 + 一行项目名 + 地理标识
|
||||
- **Title**: 八位大师，八种坚守
|
||||
- **Content**:
|
||||
- 01 安藤忠雄 · 苏州 H+ 美术馆 · 中国苏州
|
||||
- 02 戴卫·奇普菲尔德 · 米兰圣朱利亚冰球馆 · 意大利米兰
|
||||
- 03 扎哈·哈迪德（遗作）· 淡江大桥 · 中国台北
|
||||
- 04 诺曼·福斯特 · 上海嘉艺术 · 中国上海
|
||||
- 05 OMA + SANAA · 纽约新美术馆扩建 · 美国纽约
|
||||
- 06 彼得·卒姆托 · LACMA 大卫·格芬画廊 · 美国洛杉矶
|
||||
- 07 弗兰克·盖里（遗作）· 阿布扎比古根海姆博物馆 · 阿联酋阿布扎比
|
||||
- 08 迪埃贝多·凯雷 · 塞内加尔歌德学院 · 塞内加尔达喀尔
|
||||
|
||||
### Part 2: 8 座新作逐一深耕
|
||||
|
||||
#### Slide 03 - 01 安藤忠雄 · 苏州 H+ 美术馆
|
||||
|
||||
- **Layout**: #41 image-as-canvas + 浮层 annotation cards（横图为底，左侧浮一张卡片承载文字，竖图作为右上小内嵌图）
|
||||
- **Title**: 在江南园林里写一首混凝土诗
|
||||
- **Subtitle**: 安藤忠雄 · 1995 年普利兹克奖 · 2026.1 开馆
|
||||
- **Content**:
|
||||
- 设计理念：立体园林—回游性，从苏州土地记忆中汲取园林精髓
|
||||
- 材质语言：清水混凝土肌理，摒弃装饰，几何线条 × 光影留白
|
||||
- 空间叙事：屋顶以水为主题，回游中抵达面向天空与水的场所
|
||||
- 核心理念："让建筑归于自然，让艺术治愈人心"
|
||||
|
||||
#### Slide 04 - 02 戴卫·奇普菲尔德 · 米兰圣朱利亚冰球馆
|
||||
|
||||
- **Layout**: #48 side-by-side comparison（左侧主图当代场馆，右侧古罗马剧场参照，下方副图横向立面条带）
|
||||
- **Title**: 千年罗马竞技场的现代回响
|
||||
- **Subtitle**: 戴卫·奇普菲尔德 · 2023 年普利兹克奖 · 2026 冬奥会场馆
|
||||
- **Content**:
|
||||
- 容量：16,000 名观众，本届冬奥唯一新建永久场馆
|
||||
- 造型源流：呼应米兰古罗马圆形剧场椭圆形态
|
||||
- 立面：三道金属环带 + 玻璃腰线 + LED 灯带
|
||||
- 设计精神：极致克制与精确，公共建筑服务于人
|
||||
|
||||
#### Slide 05 - 03 扎哈·哈迪德（遗作）· 淡江大桥
|
||||
|
||||
- **Layout**: #15 multi-image montage + 上方半透明深色横幅承载大标题（三张图横向蒙太奇拼贴）
|
||||
- **Title**: 跨越江河的流动态势
|
||||
- **Subtitle**: 扎哈·哈迪德 · 2004 年普利兹克奖 · 2026.5.12 通车
|
||||
- **Content**:
|
||||
- 全长 920 米，全球同类型最长跨度单塔不对称斜拉桥
|
||||
- 100% 还原扎哈生前理想化设计
|
||||
- 工程力学 × 先锋美学的完美融合
|
||||
- "永不设限"——大师已逝，思想延续
|
||||
|
||||
#### Slide 06 - 04 诺曼·福斯特 · 上海嘉艺术
|
||||
|
||||
- **Layout**: #12 faded image as backdrop + 巨号叠加文字（横图压暗作底纹，巨号"04"和短标题压上，右侧细长竖图作小框）
|
||||
- **Title**: 苏州河畔绽放的钢铁花瓣
|
||||
- **Subtitle**: 诺曼·福斯特 · 1999 年普利兹克奖 · 2026.4 开放
|
||||
- **Content**:
|
||||
- 不是白盒子，是城市中缓慢生长的生命体
|
||||
- 仿花朵扎根地面、向天空延展的生长轨迹
|
||||
- 三重体验：观展、观景、观城
|
||||
- 高技派外壳之下，古典人文精神通过现代材料重获新生
|
||||
|
||||
#### Slide 07 - 05 OMA + SANAA · 纽约新美术馆扩建
|
||||
|
||||
- **Layout**: #50 before/after side-by-side（上方左右并置扩建前/后，下方加体块模型横条）
|
||||
- **Title**: 双强联动，新旧艺术共生
|
||||
- **Subtitle**: OMA (库哈斯, 2000) × SANAA (妹岛+西泽, 2010) · 2026.3.21 开放
|
||||
- **Content**:
|
||||
- 投资 8200 万美元，新增 5,574 ㎡
|
||||
- OMA 先锋解构 × SANAA 轻盈通透的碰撞
|
||||
- 通透立面 + 错落空间 + 开放布局，让城市街景与艺术空间相互渗透
|
||||
- "迭代更新、兼容并蓄"——百年美术馆获新活力
|
||||
|
||||
#### Slide 08 - 06 彼得·卒姆托 · LACMA 大卫·格芬画廊
|
||||
|
||||
- **Layout**: #14 horizontal banner strip 中段贯穿（顶部留标题，中段横幅大图，底部承载叙事文字）
|
||||
- **Title**: 20 年打磨的诗意艺术方舟
|
||||
- **Subtitle**: 彼得·卒姆托 · 2009 年普利兹克奖 · 2026.5.4 开放
|
||||
- **Content**:
|
||||
- 耗资 7.24 亿美元，32,293 ㎡，历时 20 年
|
||||
- 七座极简混凝土亭子横跨威尔希尔大道之上
|
||||
- 摒弃艺术品等级化，古典与当代平等共生
|
||||
- "建筑是场所的诗意容器"
|
||||
|
||||
#### Slide 09 - 07 弗兰克·盖里（遗作）· 阿布扎比古根海姆博物馆
|
||||
|
||||
- **Layout**: #19 image floating in whitespace + 多浮层细框（三张渲染图错落浮于米白底，细框 + 小图注，文字以负空间承载）
|
||||
- **Title**: 沙漠中的"解构主义绝唱"
|
||||
- **Subtitle**: 弗兰克·盖里（1929-2025）· 1989 年普利兹克奖 · 2026 开幕
|
||||
- **Content**:
|
||||
- 大师生命尾声 20 年心血，金属外立面随日光变换肌理
|
||||
- 不规则曲面 + 灵动褶皱 + 极致冲击的几何
|
||||
- 针对沙漠极端气候的先进遮阳与隔热系统
|
||||
- "建筑无边界、创意无极限"——解构主义大师的收官终篇
|
||||
|
||||
#### Slide 10 - 08 迪埃贝多·凯雷 · 塞内加尔歌德学院
|
||||
|
||||
- **Layout**: #38 background image + annotation cards（横图作底，2-3 张半透明信息卡浮上，竖图与内部图嵌入卡内）
|
||||
- **Title**: 夯土砖"屏风"，扎根乡土的温暖建筑
|
||||
- **Subtitle**: 迪埃贝多·凯雷 · 2022 年普利兹克奖 · 2026.4 开幕
|
||||
- **Content**:
|
||||
- 核心院落置入猴面包树（生命象征）
|
||||
- 本土压制土砖 + 自然通风系统，摆脱空调依赖
|
||||
- "顺应自然，而非与之对抗"
|
||||
- 全球建筑同质化时代，凯雷再证：顶级建筑扎根土地、温暖人心
|
||||
|
||||
### Part 3: 收束
|
||||
|
||||
#### Slide 11 - 结语：所有传世，皆源于深耕
|
||||
|
||||
- **Layout**: Negative-space-driven 单元素 + 暖金强调引语（无大图，文字为主，留白为主）
|
||||
- **Title**: 所有传世的经典，皆源于日复一日的坚守
|
||||
- **Content**:
|
||||
- 有人耗时二十年打磨一座场馆 — 卒姆托
|
||||
- 有人坚守本土人文，让建筑扎根土地 — 凯雷
|
||||
- 有人突破边界、颠覆常规 — 扎哈、盖里
|
||||
- 收束语：对空间、自然、人文的极致敬畏与深度思考
|
||||
- **Footer**: 资料来源：公众号"孙琬童" / 致敬 8 位大师 / 2026
|
||||
|
||||
---
|
||||
|
||||
## X. Speaker Notes Requirements
|
||||
|
||||
- **Filename**: 与 SVG 同名（`01_cover.svg` → `notes/01_cover.md`）
|
||||
- **Total duration**: 约 12 分钟
|
||||
- **Notes style**: 文化随笔式，叙述温度优先于技术参数
|
||||
- **Purpose**: inform + inspire
|
||||
|
||||
---
|
||||
|
||||
## XI. Technical Constraints Reminder
|
||||
|
||||
1. viewBox: `0 0 1280 720`
|
||||
2. `<rect>` 背景，`<tspan>` 文本换行
|
||||
3. 透明度用 `fill-opacity` / `stroke-opacity`，禁用 `rgba()`
|
||||
4. 禁用：`mask`, `<style>`, `class`, `foreignObject`, `textPath`, `<animate*>`, `<script>`, `<g opacity>`
|
||||
5. 字符：`—` `·` `→` 等用原生 Unicode，禁用 HTML named entities
|
||||
6. 全幅图用 `preserveAspectRatio="xMidYMid slice"`；半透明 scrim 用 `<rect fill-opacity>`
|
||||
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|
||||
No,Filename,Width,Height,AspectRatio,PixelAspectRatio,RatioSource,UsageCount,DisplayRatioVariants,AssetKind,SvgRenderable,PptxNativeSupported,SizeKB,Category,ImageArea_SxS,TextArea_SxS
|
||||
1,640.png,1080,810,1.33,1.33,pixel,1,,bitmap,True,True,965.9,Standard landscape,800x600,340x600
|
||||
2,640_1.png,667,937,0.71,0.71,pixel,1,,bitmap,True,True,642.3,Portrait,427x600,713x600
|
||||
3,640_10.png,1080,652,1.66,1.66,pixel,1,,bitmap,True,True,1013.9,Wide landscape,812x490,328x600
|
||||
4,640_11.png,1080,1368,0.79,0.79,pixel,1,,bitmap,True,True,1646.3,Portrait,474x600,666x600
|
||||
5,640_12.png,1080,809,1.33,1.33,pixel,1,,bitmap,True,True,818.0,Standard landscape,801x600,339x600
|
||||
6,640_13.png,1080,921,1.17,1.17,pixel,1,,bitmap,True,True,1111.7,Near square,704x600,436x600
|
||||
7,640_14.png,1080,608,1.78,1.78,pixel,1,,bitmap,True,True,470.7,Wide landscape,812x457,328x600
|
||||
8,640_15.png,1080,896,1.21,1.21,pixel,1,,bitmap,True,True,928.2,Standard landscape,723x600,417x600
|
||||
9,640_16.png,1080,720,1.50,1.50,pixel,1,,bitmap,True,True,1057.1,Standard landscape,812x541,328x600
|
||||
10,640_17.png,1080,608,1.78,1.78,pixel,1,,bitmap,True,True,539.1,Wide landscape,812x457,328x600
|
||||
11,640_18.png,1080,720,1.50,1.50,pixel,1,,bitmap,True,True,562.1,Standard landscape,812x541,328x600
|
||||
12,640_19.png,1080,608,1.78,1.78,pixel,1,,bitmap,True,True,640.7,Wide landscape,812x457,328x600
|
||||
13,640_2.png,685,514,1.33,1.33,pixel,1,,bitmap,True,True,170.2,Standard landscape,800x600,340x600
|
||||
14,640_20.png,1080,607,1.78,1.78,pixel,1,,bitmap,True,True,520.7,Wide landscape,812x456,328x600
|
||||
15,640_21.png,1000,1000,1.00,1.00,pixel,1,,bitmap,True,True,749.8,Near square,600x600,540x600
|
||||
16,640_22.png,818,546,1.50,1.50,pixel,1,,bitmap,True,True,869.2,Standard landscape,812x542,328x600
|
||||
17,640_23.png,630,944,0.67,0.67,pixel,1,,bitmap,True,True,907.5,Portrait,400x600,740x600
|
||||
18,640_24.png,980,654,1.50,1.50,pixel,1,,bitmap,True,True,752.6,Standard landscape,812x542,328x600
|
||||
19,640_25.png,800,800,1.00,1.00,pixel,1,,bitmap,True,True,617.8,Near square,600x600,540x600
|
||||
20,640_26.png,800,800,1.00,1.00,pixel,1,,bitmap,True,True,341.2,Near square,600x600,540x600
|
||||
21,640_27.png,640,640,1.00,1.00,pixel,1,,bitmap,True,True,128.8,Near square,600x600,540x600
|
||||
22,640_3.png,1080,810,1.33,1.33,pixel,1,,bitmap,True,True,585.6,Standard landscape,800x600,340x600
|
||||
23,640_4.png,640,400,1.60,1.60,pixel,1,,bitmap,True,True,307.8,Wide landscape,812x508,328x600
|
||||
24,640_5.png,800,533,1.50,1.50,pixel,1,,bitmap,True,True,721.1,Wide landscape,812x541,328x600
|
||||
25,640_6.png,1024,1365,0.75,0.75,pixel,1,,bitmap,True,True,935.8,Portrait,450x600,690x600
|
||||
26,640_7.png,960,640,1.50,1.50,pixel,1,,bitmap,True,True,657.2,Standard landscape,812x541,328x600
|
||||
27,640_8.png,960,640,1.50,1.50,pixel,1,,bitmap,True,True,626.8,Standard landscape,812x541,328x600
|
||||
28,640_9.png,831,554,1.50,1.50,pixel,1,,bitmap,True,True,598.1,Standard landscape,812x541,328x600
|
||||
|
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|
||||
二零二六年，一批普利兹克奖大师的新作不约而同地揭幕，让这一年成为名副其实的普利兹克大师新作季。不同于网红建筑的转瞬即逝，这些新作是岁月沉淀的匠心深耕，是建筑、自然、人文与时代的深度结合。今天，我们一起走进八座二零二六年启用或落成的大师建筑，读懂顶级建筑师的思考与坚守。
|
||||
@@ -0,0 +1 @@
|
||||
在正式开始之前，先来看一张全景。八位大师横跨亚欧美非四大洲，从中国苏州的安藤忠雄，到塞内加尔达喀尔的凯雷；从米兰冬奥唯一新建场馆，到二十年终成的洛杉矶艺术方舟。八种身份、八种命题，但他们都把作品交给了二零二六这一年。接下来，我们逐一深入。
|
||||
@@ -0,0 +1 @@
|
||||
第一站，苏州。二零二六年一月，安藤忠雄设计的 H 加美术馆在姑苏区上塘河畔正式开馆。安藤说，作为一名外来建筑师，他最关心的是如何从苏州这片土地的记忆中汲取园林精髓。立体园林、回游性是这座美术馆的核心理念——在有限的空间里创造深度，通过水和光传递时间。从混凝土的冷峻到光线的温柔，从几何的秩序到园林的自由，安藤在古城上塘河畔完成了一次东方美学与西方现代主义的深度对话。
|
||||
@@ -0,0 +1 @@
|
||||
第二站，米兰。这是二零二六年米兰科尔蒂纳冬奥会唯一的新建永久场馆——奇普菲尔德设计的圣朱利亚冰球馆。可容纳一万六千名观众的椭圆形场馆，呼应的是米兰这座城市两千年前的古罗马圆形剧场。三道金属环带、玻璃腰线、LED 灯带，让立面变成了城市尺度的动态屏幕。奇普菲尔德从不以夸张造型夺目，而是以极致的克制与精确，讲述建筑与历史、与城市公共生活的关系。
|
||||
@@ -0,0 +1 @@
|
||||
第三站，台北淡水河口。这座二零二六年五月十二日通车的淡江大桥，是扎哈·哈迪德生前所属事务所最后完成的项目之一。全长九百二十米，是全球同类型中跨度最长的单塔不对称斜拉桥。最令人感动的是，项目历经多次方案攻坚，最终以接近百分之百的还原度，呈现了扎哈生前那个近乎理想化的设计。即便大师已逝，那种永不设限、突破边界的建筑思想，仍在这座桥梁中延续着生命力。
|
||||
@@ -0,0 +1 @@
|
||||
第四站，上海。二零二六年四月，福斯特亲临苏州河畔，为他和团队设计的嘉艺术空间揭幕。这座展馆不是传统意义上的白盒子，更像一座在城市中缓慢生长的生命体——外立面模拟花朵扎根地面、向天空延展的生长轨迹，把由内而外的结构美学绽放为舒展的花瓣。在高技派的美学外壳之下，福斯特真正思考的，是古典人文精神如何通过现代材料重获新生。
|
||||
@@ -0,0 +1 @@
|
||||
第五站，纽约。这次是一场难得的双强联动。库哈斯领衔的 OMA 完成新翼，妹岛和世和西泽立卫的 SANAA 早在二零一零年就完成了主楼。八千二百万美元的投资，五千五百多平方米的新增空间，二零二六年三月二十一日正式向公众开放。OMA 的先锋解构思维和 SANAA 的轻盈通透美学相互碰撞，让这座百年美术馆既保留了艺术内核，又获得了适配当代多元表达的设计语言。这是迭代更新、兼容并蓄最完美的注解。
|
||||
@@ -0,0 +1 @@
|
||||
第六站，洛杉矶。这是一座耗时二十年才落成的建筑——卒姆托设计的 LACMA 大卫·格芬画廊，二零二六年五月四日正式开放。七点二四亿美元投资，三万多平方米建筑面积，七座极简混凝土亭子错落排布，悬浮在繁忙的威尔希尔大道之上。卒姆托用二十年的耐心对抗时代的浮躁，最终成就了他那句名言——建筑是场所的诗意容器。这不是一座炫耀自我的地标，而是让艺术品与洛杉矶天空对话的纯净居所。
|
||||
@@ -0,0 +1 @@
|
||||
第七站，阿布扎比。这是建筑鬼才弗兰克·盖里留给世界的最后巨作。盖里在二零二五年十二月辞世，而他倾注了近二十年心血的阿布扎比古根海姆博物馆，预计在二零二六年正式开幕。不规则的曲面、灵动的褶皱、极具冲击力的几何形态，针对沙漠极端气候量身打造的遮阳系统，金属外立面随日光流转而变换肌理。作为解构主义大师的收官之作，这座建筑是盖里对建筑无边界、创意无极限这一信念最后的诠释。
|
||||
@@ -0,0 +1 @@
|
||||
第八站，塞内加尔达喀尔。凯雷设计的歌德学院在二零二六年四月开幕。一棵象征生命的猴面包树被置于核心院落，本土压制的土砖构筑主体结构，搭配自然通风系统，完全摆脱了对空调的依赖。这是凯雷一贯的设计哲学——顺应自然，而非与之对抗。在全球建筑日趋同质化的今天，凯雷再次证明：顶级建筑从不是千篇一律的奢华，而是扎根土地、温暖人心的人文坚守。
|
||||
@@ -0,0 +1 @@
|
||||
走完这八座建筑，我们也走完了二零二六这一年的普利兹克大师新作季。有人耗时二十年打磨一座场馆，用极致耐心对抗时代浮躁；有人坚守本土人文，让建筑扎根土地、温暖人心；有人突破边界、颠覆常规，用创意拓展建筑的无限可能。这场盛宴让我们明白——所有传世的经典，皆源于日复一日的坚守，源于对空间、自然、人文的极致敬畏与深度思考。
|
||||
@@ -0,0 +1,63 @@
|
||||
# 01_cover
|
||||
|
||||
二零二六年，一批普利兹克奖大师的新作不约而同地揭幕，让这一年成为名副其实的普利兹克大师新作季。不同于网红建筑的转瞬即逝，这些新作是岁月沉淀的匠心深耕，是建筑、自然、人文与时代的深度结合。今天，我们一起走进八座二零二六年启用或落成的大师建筑，读懂顶级建筑师的思考与坚守。
|
||||
|
||||
---
|
||||
|
||||
# 02_overview
|
||||
|
||||
在正式开始之前，先来看一张全景。八位大师横跨亚欧美非四大洲，从中国苏州的安藤忠雄，到塞内加尔达喀尔的凯雷；从米兰冬奥唯一新建场馆，到二十年终成的洛杉矶艺术方舟。八种身份、八种命题，但他们都把作品交给了二零二六这一年。接下来，我们逐一深入。
|
||||
|
||||
---
|
||||
|
||||
# 03_ando
|
||||
|
||||
第一站，苏州。二零二六年一月，安藤忠雄设计的 H 加美术馆在姑苏区上塘河畔正式开馆。安藤说，作为一名外来建筑师，他最关心的是如何从苏州这片土地的记忆中汲取园林精髓。立体园林、回游性是这座美术馆的核心理念——在有限的空间里创造深度，通过水和光传递时间。从混凝土的冷峻到光线的温柔，从几何的秩序到园林的自由，安藤在古城上塘河畔完成了一次东方美学与西方现代主义的深度对话。
|
||||
|
||||
---
|
||||
|
||||
# 04_chipperfield
|
||||
|
||||
第二站，米兰。这是二零二六年米兰科尔蒂纳冬奥会唯一的新建永久场馆——奇普菲尔德设计的圣朱利亚冰球馆。可容纳一万六千名观众的椭圆形场馆，呼应的是米兰这座城市两千年前的古罗马圆形剧场。三道金属环带、玻璃腰线、LED 灯带，让立面变成了城市尺度的动态屏幕。奇普菲尔德从不以夸张造型夺目，而是以极致的克制与精确，讲述建筑与历史、与城市公共生活的关系。
|
||||
|
||||
---
|
||||
|
||||
# 05_zaha
|
||||
|
||||
第三站，台北淡水河口。这座二零二六年五月十二日通车的淡江大桥，是扎哈·哈迪德生前所属事务所最后完成的项目之一。全长九百二十米，是全球同类型中跨度最长的单塔不对称斜拉桥。最令人感动的是，项目历经多次方案攻坚，最终以接近百分之百的还原度，呈现了扎哈生前那个近乎理想化的设计。即便大师已逝，那种永不设限、突破边界的建筑思想，仍在这座桥梁中延续着生命力。
|
||||
|
||||
---
|
||||
|
||||
# 06_foster
|
||||
|
||||
第四站，上海。二零二六年四月，福斯特亲临苏州河畔，为他和团队设计的嘉艺术空间揭幕。这座展馆不是传统意义上的白盒子，更像一座在城市中缓慢生长的生命体——外立面模拟花朵扎根地面、向天空延展的生长轨迹，把由内而外的结构美学绽放为舒展的花瓣。在高技派的美学外壳之下，福斯特真正思考的，是古典人文精神如何通过现代材料重获新生。
|
||||
|
||||
---
|
||||
|
||||
# 07_oma_sanaa
|
||||
|
||||
第五站，纽约。这次是一场难得的双强联动。库哈斯领衔的 OMA 完成新翼，妹岛和世和西泽立卫的 SANAA 早在二零一零年就完成了主楼。八千二百万美元的投资，五千五百多平方米的新增空间，二零二六年三月二十一日正式向公众开放。OMA 的先锋解构思维和 SANAA 的轻盈通透美学相互碰撞，让这座百年美术馆既保留了艺术内核，又获得了适配当代多元表达的设计语言。这是迭代更新、兼容并蓄最完美的注解。
|
||||
|
||||
---
|
||||
|
||||
# 08_zumthor
|
||||
|
||||
第六站，洛杉矶。这是一座耗时二十年才落成的建筑——卒姆托设计的 LACMA 大卫·格芬画廊，二零二六年五月四日正式开放。七点二四亿美元投资，三万多平方米建筑面积，七座极简混凝土亭子错落排布，悬浮在繁忙的威尔希尔大道之上。卒姆托用二十年的耐心对抗时代的浮躁，最终成就了他那句名言——建筑是场所的诗意容器。这不是一座炫耀自我的地标，而是让艺术品与洛杉矶天空对话的纯净居所。
|
||||
|
||||
---
|
||||
|
||||
# 09_gehry
|
||||
|
||||
第七站，阿布扎比。这是建筑鬼才弗兰克·盖里留给世界的最后巨作。盖里在二零二五年十二月辞世，而他倾注了近二十年心血的阿布扎比古根海姆博物馆，预计在二零二六年正式开幕。不规则的曲面、灵动的褶皱、极具冲击力的几何形态，针对沙漠极端气候量身打造的遮阳系统，金属外立面随日光流转而变换肌理。作为解构主义大师的收官之作，这座建筑是盖里对建筑无边界、创意无极限这一信念最后的诠释。
|
||||
|
||||
---
|
||||
|
||||
# 10_kere
|
||||
|
||||
第八站，塞内加尔达喀尔。凯雷设计的歌德学院在二零二六年四月开幕。一棵象征生命的猴面包树被置于核心院落，本土压制的土砖构筑主体结构，搭配自然通风系统，完全摆脱了对空调的依赖。这是凯雷一贯的设计哲学——顺应自然，而非与之对抗。在全球建筑日趋同质化的今天，凯雷再次证明：顶级建筑从不是千篇一律的奢华，而是扎根土地、温暖人心的人文坚守。
|
||||
|
||||
---
|
||||
|
||||
# 11_epilogue
|
||||
|
||||
走完这八座建筑，我们也走完了二零二六这一年的普利兹克大师新作季。有人耗时二十年打磨一座场馆，用极致耐心对抗时代浮躁；有人坚守本土人文，让建筑扎根土地、温暖人心；有人突破边界、颠覆常规，用创意拓展建筑的无限可能。这场盛宴让我们明白——所有传世的经典，皆源于日复一日的坚守，源于对空间、自然、人文的极致敬畏与深度思考。
|
||||
@@ -0,0 +1,93 @@
|
||||
# Execution Lock
|
||||
|
||||
## canvas
|
||||
- viewBox: 0 0 1280 720
|
||||
- format: PPT 16:9
|
||||
|
||||
## colors
|
||||
- bg: #F5F2EC
|
||||
- secondary_bg: #EDE8DE
|
||||
- primary: #1C1C1C
|
||||
- accent: #B8935A
|
||||
- text: #1C1C1C
|
||||
- text_secondary: #5C5852
|
||||
- text_tertiary: #8B8680
|
||||
- border: #D4CFC4
|
||||
- accent_light: #E8C788
|
||||
- scrim: #0A0A0A
|
||||
|
||||
## typography
|
||||
- font_family: "Microsoft YaHei", "PingFang SC", Arial, sans-serif
|
||||
- title_family: Georgia, "Microsoft YaHei", "PingFang SC", serif
|
||||
- body_family: "Microsoft YaHei", "PingFang SC", Arial, sans-serif
|
||||
- emphasis_family: KaiTi, Georgia, "Microsoft YaHei", serif
|
||||
- title_alt_family: Georgia, "Microsoft YaHei", serif
|
||||
- label_family: Georgia, serif
|
||||
- caption_family: "Microsoft YaHei", sans-serif
|
||||
- kai_short_family: KaiTi, "Microsoft YaHei", serif
|
||||
- kai_serif_family: KaiTi, Georgia, serif
|
||||
- kai_family: KaiTi, serif
|
||||
- code_family: Consolas, "Courier New", monospace
|
||||
- body: 22
|
||||
- title: 40
|
||||
- subtitle: 28
|
||||
- annotation: 15
|
||||
- cover_title: 72
|
||||
- project_number: 88
|
||||
- page_number: 12
|
||||
- giant_number: 280
|
||||
|
||||
## icons
|
||||
- library: tabler-outline
|
||||
- stroke_width: 1.5
|
||||
- inventory: map-pin, calendar, blockquote, arrow-right
|
||||
|
||||
## images
|
||||
- ando_h_rooftop: images/ando_h_rooftop.png
|
||||
- ando_h_exterior: images/ando_h_exterior.png
|
||||
- ando_h_interior: images/ando_h_interior.png
|
||||
- chipperfield_milan_exterior: images/chipperfield_milan_exterior.png
|
||||
- chipperfield_roman_amphitheater: images/chipperfield_roman_amphitheater.png
|
||||
- chipperfield_milan_facade: images/chipperfield_milan_facade.png
|
||||
- zaha_tamkang_bridge: images/zaha_tamkang_bridge.png
|
||||
- zaha_tamkang_structure: images/zaha_tamkang_structure.png
|
||||
- zaha_tamkang_full: images/zaha_tamkang_full.png
|
||||
- foster_shanghai_exterior: images/foster_shanghai_exterior.png
|
||||
- foster_shanghai_petal: images/foster_shanghai_petal.png
|
||||
- oma_new_museum_before: images/oma_new_museum_before.png
|
||||
- oma_new_museum_after: images/oma_new_museum_after.png
|
||||
- oma_new_museum_massing: images/oma_new_museum_massing.png
|
||||
- oma_new_museum_interior: images/oma_new_museum_interior.png
|
||||
- zumthor_lacma_exterior: images/zumthor_lacma_exterior.png
|
||||
- zumthor_lacma_underside: images/zumthor_lacma_underside.png
|
||||
- zumthor_lacma_interior: images/zumthor_lacma_interior.png
|
||||
- gehry_abu_dhabi_render1: images/gehry_abu_dhabi_render1.png
|
||||
- gehry_abu_dhabi_render2: images/gehry_abu_dhabi_render2.png
|
||||
- gehry_abu_dhabi_render3: images/gehry_abu_dhabi_render3.png
|
||||
- kere_senegal_exterior: images/kere_senegal_exterior.png
|
||||
- kere_senegal_courtyard: images/kere_senegal_courtyard.png
|
||||
- kere_senegal_interior: images/kere_senegal_interior.png
|
||||
|
||||
## page_rhythm
|
||||
- P01: anchor
|
||||
- P02: anchor
|
||||
- P03: dense
|
||||
- P04: dense
|
||||
- P05: breathing
|
||||
- P06: breathing
|
||||
- P07: dense
|
||||
- P08: breathing
|
||||
- P09: breathing
|
||||
- P10: dense
|
||||
- P11: anchor
|
||||
|
||||
## page_layouts
|
||||
|
||||
## page_charts
|
||||
|
||||
## forbidden
|
||||
- Mixing icon libraries
|
||||
- rgba()
|
||||
- `<style>`, `class`, `<foreignObject>`, `textPath`, `@font-face`, `<animate*>`, `<script>`, `<iframe>`, `<symbol>`+`<use>`
|
||||
- `<g opacity>` (set opacity on each child element individually)
|
||||
- HTML named entities in text — write as raw Unicode
|
||||
File diff suppressed because one or more lines are too long
|
After Width: | Height: | Size: 196 KiB |
@@ -0,0 +1,82 @@
|
||||
<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 1280 720" width="1280" height="720">
|
||||
<g id="bg">
|
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<text x="820" y="660" font-family=""Microsoft YaHei", sans-serif" font-size="13" fill="#D4CFC4">2026.5.12 通车 · 大师已逝 · 思想延续</text>
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<tspan x="60" dy="34">观展 · 观景 · 观城 — 古典人文精神通过现代材料重获新生</tspan>
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<text x="380" y="636" font-family=""Microsoft YaHei", sans-serif" font-size="13" fill="#5C5852">错落排布 · 横跨繁忙大道之上</text>
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<text x="60" y="78" font-family="Georgia, serif" font-size="14" fill="#E8C788" letter-spacing="3">08 · ROOTED IN EARTH</text>
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<text x="60" y="148" font-family="Georgia, "Microsoft YaHei", "PingFang SC", serif" font-size="42" font-weight="bold" fill="#F5F2EC">夯土砖屏风 · 扎根乡土的温暖建筑</text>
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<text x="60" y="234" font-family=""Microsoft YaHei", sans-serif" font-size="13" fill="#D4CFC4">2022 年普利兹克奖 · 2026.4 达喀尔开幕</text>
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<tspan x="80" dy="0">· 本土压制土砖构筑主体结构</tspan>
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<tspan x="80" dy="28">· 自然通风系统 · 摆脱空调依赖</tspan>
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<tspan x="80" dy="28">· 适配本土气候 · 节能 + 采光</tspan>
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<tspan x="80" dy="28">· 空间开放包容 · 服务社区</tspan>
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<text x="752" y="610" font-family="Georgia, serif" font-size="13" fill="#E8C788" letter-spacing="2">INTERIOR</text>
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<text x="60" y="700" font-family="KaiTi, serif" font-size="15" fill="#E8C788" font-style="italic">全球同质化时代 · 顶级建筑扎根土地 · 温暖人心</text>
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<text x="1220" y="700" text-anchor="end" font-family="Georgia, serif" font-size="11" fill="#D4CFC4">10 / 11 · 图源 Archdaily / 摄影 Iwan Baan</text>
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<text x="640" y="166" text-anchor="middle" font-family="Georgia, serif" font-size="14" fill="#B8935A" letter-spacing="6">EPILOGUE · 结 · 语</text>
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<text x="640" y="280" text-anchor="middle" font-family="Georgia, "Microsoft YaHei", "PingFang SC", serif" font-size="48" font-weight="bold" fill="#1C1C1C">所有传世的经典</text>
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<text x="640" y="350" text-anchor="middle" font-family="KaiTi, Georgia, serif" font-size="44" fill="#B8935A" font-style="italic">皆源于日复一日的坚守</text>
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<text x="175" y="534" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="12" fill="#8B8680">— 卒姆托 · 盖里</text>
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<text x="485" y="534" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="12" fill="#8B8680">— 凯雷 · 安藤 · 奇普菲尔德</text>
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<text x="795" y="476" text-anchor="middle" font-family="Georgia, serif" font-size="28" font-weight="bold" fill="#B8935A" font-style="italic">破界</text>
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<text x="795" y="510" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="14" fill="#1C1C1C">突破边界 · 颠覆常规</text>
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<text x="795" y="534" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="12" fill="#8B8680">— 扎哈 · 福斯特 · OMA</text>
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<text x="1105" y="476" text-anchor="middle" font-family="Georgia, serif" font-size="28" font-weight="bold" fill="#B8935A" font-style="italic">敬畏</text>
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<text x="1105" y="510" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="14" fill="#1C1C1C">对空间 · 自然 · 人文的</text>
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<text x="1105" y="534" text-anchor="middle" font-family=""Microsoft YaHei", sans-serif" font-size="12" fill="#8B8680">极致敬畏与深度思考</text>
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<text x="640" y="620" text-anchor="middle" font-family="KaiTi, "Microsoft YaHei", serif" font-size="20" fill="#5C5852" font-style="italic">2026 这场大师新作季 · 不仅是全球美学盛宴 · 更让我们明白</text>
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<text x="60" y="700" font-family=""Microsoft YaHei", sans-serif" font-size="12" fill="#8B8680">资料来源 · 公众号 孙琬童 · 致敬八位普利兹克大师</text>
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After Width: | Height: | Size: 4.0 KiB |
Reference in New Issue
Block a user